In addition to writing for the Observer and the Whitehot Magazine of Contemporary Art in New York City, as well as other art magazines, I have been writing critical essays for fine art exhibition catalogs. My catalog essay Chromatic Revelation: The Art of David Allan Peters was recently published by the Miles McEnery Gallery in...Read More

This year, I have been regularly writing and contributing feature articles, exhibition reviews, and conducting interviews for the Observer in New York City. I have had the distinct pleasure of covering outstanding work in major art hubs like New Yor City, Washington, D.C., and Los Angeles for such galleries, venues, and museums as Cristin Tierney...Read More

My new wall work, A Faker’s Dozen, Too, a late sequel to another piece I created in 2009, A Faker’s Dozen, is on view in the 2023 National Juried Painting Exhibition at the University of Southern Mississippi Museum of Art from October 9 – November 3, 2023. The exhibition included work by over two dozen seasoned...Read More

I recently showed a small walnut, gold, and brass wall sculpture, Goldbricker, Too, in the group exhibition restART, curated by Adelinda Allegretti, which ran from September 15 – 24 in the Sala ex Pinacoteca in Assisi, Italy. While the exhibition featured over a dozen international contemporary fine artworks, it included some twentieth-century master classics, including pieces...Read More

I spoke with painter Ross Bleckner a few times over the telephone in late 2021 and also in the summer of 2022. We talked about art, life, loss, altered states, and – of all things – our shared work as character actors in television and film. By the time October of 2022 rolled around and...Read More

I recently showed a modest new silver leaf drawing, Silver Sunrise (Dawn of Hope), in the group exhibition Landscape: Inside and All Around Me, curated by Adelinda Allegretti, which ran from February 19 – March 5 in the Museo del Colle del Duomo in Viterbo, Italy, as well as in the Carlo D’Orta Galeria in...Read More